Video — Vhils debris, Macau 2017


I think the best way to tell a story is to speak of something intrinsic to you. The more you know about the subject you are dealing with, the deeper people will connect with the film, by seeing their own reflections in it. This short film blurs the line between documentary and fiction, since it is based on a true story, from my own grandparents, but it could be anybody’s story — in this case, a woman in Macau. The universality of storytelling is what pushes me to insert this tiny narratives on a much broader subject that me and Vhils have been tackling. And that is, generally speaking, the pace at which the world is moving today. It has sped up dramatically from 20 years back. And while that has brought us infinite positive things and progress, it also created new questions and paradigms. Is the world still a big place? We take 3 hours to drive 300kms, but we can send a photograph to the other side of the world in one second. Are distances getting smaller? Is the world shrinking? Are the gaps between us getting smaller? Or are we drifting apart? We’re constantly texting, talking, posting about everything and anything, but are we really communicating most of the times? And maybe more importantly — is anybody really listening?

As a curiosity, the only super 8 shot that is used in this film portraying a woman and her baby (a big friend of mine) is actual footage from Macau in late 1970s. Domingos Silva, his father, was always documenting their life in Macau and he kindly sent me a pack of old videos and it was with absolute pleasure that I made a small homage to his family and any other family who has lived there in the past.

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How 3D printing is disrupting the architecture and design industry






Three-dimensional printing is one of the most talked-about technologies of this decade. Some consider it the beginning of the third industrial revolution, while others point out the constraints of the technique. Is 3D printing changing our architecture, and is it the way we’ll design our homes in the future? Below, we look at the phenomenon of 3D printing worldwide, including a delicate resin pavilion in China, classical-design-inspired concrete beams in Italy and buildings that “think” in Germany.

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20 meter-tall floating structure of oil barrels, London by Christo

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artist christo has unveiled plans to construct a floating ‘mastaba’ structure in london’s hyde park, which could reach more than 20 meters (65 feet) in height. the new york times reports that the temporary design, to be made from 7,506 oil barrels, will float on the serpentine lake, behind kensington palace. ‘the exciting part of the project is that it’s detached from the urban landscape,’ says christo. ‘you have this incredible vegetation and open area.’

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New York’s best emerging Architecture Studios of 2018











Five young architecture studios based in the Big Apple have been selected for this year’s New Practices New York awards, set up to promote the city’s best up-and-coming talent.

Agency–Agency, MABU, NHDM, Only If Architecture and PRO have all been named as 2018 winners of the awards, which are awarded biennially to studios headquartered in New York, which launched 10 years ago or sooner.

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Video — System Aesthetics






In 2018, Algorithms will increasingly power every aspect of our lives, from voice recognition to self-driving cars. But it’s difficult for humans to understand such abstractions. “There’s a real lack of imagery and visual metaphors for all these new and very abstract things that we have in our lives,” explains Marcus Wendt, creative director at London-based art and technology studio FIELD. “We don’t have anything that will help us decide whether we can really trust these systems, or which one to go for, whenever there is more than one option.”

FIELD created five exclusive images for The World in 2018, WIRED magazine’s annual look at the technology which will impact our lives in the follpwing year. Cased on the structure of computing code, the images are part of a project to make algorithms much more accessible to all of us by developing a new visual language around them.

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