crossmedia studio
Each features a prefabricated aluminium exterior shell to shield the residents from harsh weather. Framlab proposes filling the shell with a 3D-printed wall structure, made from recycled plastic and lined with plywood.
In contrast to the communal spaces offered by many homeless shelters, each unit is designed to house one occupant to maintain their privacy and safety. Meanwhile, a modular range of fittings would allow residents to customise each pod according to their needs.
chile-based architects pezo von ellrichshausen in collaboration with swiss artist felice varini have created an ambitious structure responding to the historic heart of hull, a city in northern england. the design encourages locals to experience their city in new and memorable ways and seeks to become a focal point for national and international tourists. the installation provides visitors with a range of different vistas of trinity square as they enter each of the six meter high columns, which open to the sky.
a curved, semi-circular wall of mirrors juts from the sand on cottesloe beach in perth, australia. spanning 72 meters long, the desert island somewhat mirrors that of gjøde & partnere arkitekter’s previous work, the infinite bridge — interestingly, there is something just as infinite about this sculpture by the sea.
paris’ fondation cartier continues to commemorate its 30th anniversary with an installation created by interdisciplinary design studio diller scofidio + renfro. using the institution’s existing architecture as the framework for the project, ‘musings on a glass box’ occupies the entire ground floor of the jean nouvel-designed building, generating an immersive and captivating environment split between two adjacent gallery spaces.
We created an alternative view to near future if all humans would suddenly disappear. How much of our world would still be running with the help of automation and technology? How long would it last?
This series of animation and video work for tech event Slush consists of animated teaser, loops for all of the digiscreens in Helsinki metro, opening show, event screen content and closing words.
Teaser credits:
Client: Slush
Creative production company: VELI
Executive producer: Joni Lindroos
Director & animation: Matti Vesanen & Sakke Soini / VELI.fx
Grade: Pyry Pelkonen
Music & sound design: Sandra Tervonen
Voiceover: Juuso Ruohonen
Lyrics: Noah Kin
The back-to-back buildings form a “symbolical gate and hub” for the city of Taoyuan.
The building’s slanting green roofs will be planted with trees and walkways will zig-zag across the between terraces used for displaying artworks and as viewing platforms.
Cut-out entryways and slots connect the outside with the gallery spaces under the sloped roofs, while a staircase and lift runs from top to bottom.
Cube-shaped pavilions built into the sloped facade will be available to artists to rent as temporary exhibition spaces or shops.
No Signal is best experienced with a full screen and ample sound speakers or headphones.
Full project on Behance : behance.net/gallery/59886869/No-Signal
No Signal is an experimental title sequence that depicts an astronaut just like the one you probably dreamed to become when you were a child. This astronaut needs to maintain the link between him and his own reality, his memory and keeping him away from madness. These three keywords are at the core of my concept, they are represented through out the three parts of the title sequence.
Credits
Designed and directed by : Friendly Robot
Score by : Echolab
Typography animation by : Sylk
Video edit by : Frederic Krettly
Alone, I go faster; together, we go further.
Thanks to :
17mars — Motion Designers Community — Otoy — Quixel Suite & Megascan.
Special Thanks to Echolab, who created the score and sound design.
It was an honor to collaborate with you.
A warm thank you to my friends, my family for their helps and their supports.
Ludovique Calandras, Geraldine Karolyi, Frederic Krettly, Sylk, Gavin Little, Maxime Hacquard, Clement LeBouc, Alison Chavigny, Tikeo & Thia.
teamlab is bringing an immersive, 2,000 square meter exhibition to paris, forming a vast space that allows visitors to experience the world through their own bodies. from may 4 to september 2, 2018 at la villette, ‘au-delà des limites’ explores the role of digital technology in the blurring of physical and conceptual boundaries that exist between art. while each of the installations on view maintain a sense of autonomy, they simultaneously break free from their frame and enter the realm of another, influencing and sometimes intermingling with other artworks.
design society, china’s first dedicated cultural design hub, has opened its doors to the public in shenzhen. the new institution is housed within the sea world culture and arts center (SWCAC), a building designed by japanese architect fumihiko maki, and houses a new V&A gallery — a collaboration that is the first of its kind between a UK museum and a chinese partner. the design hub, which opened ahead of the bi-city biennale of urbanism architecture (held in both shenzhen and hong kong), seeks to encourage audiences to engage in debate about the power of design.
The internationally recognized architecture firm Aedas has unveiled their design for the Zhenghong Property Air Harbour Office Project. The sprawling and interconnected 196 foot-tall three-towercomplex is proposed for the city of Zhengzhou, the capital of the Henan Province in central China — one of the regions’ largest transportation hubs. Occupying a relatively narrow site, the towers are woven together by a rhythmic glass facade inspired by the formal qualities of the winding Yellow River.
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